The chirping of robins stems from a naive analysis of simplicity: what is simple? A melody can be essential and pleasant, a country lane is as well. This electronic music album alternative wants to instill a feeling of meditation in the listener. It was born thanks to the passion for the animals, for the simple stories of the country, for the changing of the seasons. The author is fascinated by the spontaneity of nature, and describes it in various ways. Being already a veteran of two literary publications: the fantasy novel "La Meta della Cuspide" and the poetry collection "Poesie del focolare, del mistero e quant'altro", the author makes its way into musical creativity analyzing different historical themes and cultural. This never missing a passion for nature simple and mysterious, full of pitfalls and light. The song of the same name has an arpeggio going acoustic and various mixtures and essential: the exact recall if that would make the robins sing smoothly in a forest or a prairie.
As for the other songs of the album, the listener reference to the text dedicated to them, specifying that this work is the result of periods of very distant from each other, and therefore some issues are part of a creative depth of thickness more pronounced.
All melodies were invented and made with various instruments: classical piano, Yamaha digital piano, electronic keyboards, drums, percussion, and with the help of specific programs of arrangement and optimization.
The compositions date from the years 1990 - 2005 but the arrangement and adaptation to new standards of quality are today.
The chirping of robins is the first album of alternative electronic music composed by Nito Ferri.
Music written, composed and orchestrated by Nito Ferri

This track is a fundamental issue of human society: respect. In fact, it was during the Second World War that has consumed one of the worst crimes in history: the extermination of six million Jews at the hands of Adolf Hitler.
Of course, the piece has a growing depth and a chord progression very impressive and intimidating. The piano plays parts that recall the different episodes of the Holocaust and claims justice with the great instrumental part annexed to the final.
Written and composed by Nito Ferri